Dollhouse - Season One

WARNING: This season recap/assessment will contain some major spoilers for the entirety of Dollhouse's 12 Episode run.

It was late in the throes of the 2007-2008 WGA/AMPTP Strike that sci-fi guru Joss Whedon (Buffy the Vampire Slayer, Firefly/Serenity) announced that he would be reteaming with BtVS alum Eliza Dushku to create a new series for broadcast television. On the outside this sounds like a brilliant prospect, however there was a catch. He'd be helming the project on FOX, the same network that gave Firefly a snowball's chance in hell when it premiered back in 2002. Despite the bad vibes on the initial outset of the project, it seemed Whedon had another ace up his sleeve. While the strike was going full steam, an independent internet exclusive project was conceived with friends, series alums and family. That project was Dr. Horrible's Sing-a-Long Blog, which evidently blew the top off of the internet when it premiered in mid July.

Then the bad news started to filter in, sometime in early fall. The internet promos for the show had just started to pop up on FOX's website when it was revealed that FOX was not a fan of the pilot episode Whedon had produced for the series. The episode, entitled "Echo," was ultimately scrapped (though I've read a draft of the original script and cannot wait to see it and the yet unaired 13th episode "Epitaph One" on the full season DVD that's due out this July) and key elements were cannibalized and put to use in the newly structured early season episodes. This is about when the "Save Dollhouse" campaigns started up. A full 6 months before the new pilot episode (now entitled "Ghost") hit the airwaves. Another punch to the gut arrived when it was announced that the series would air on Friday nights at 9pm. Otherwise known as the "Death Slot" in TV terms.

So the bloggers blogged and the nay-sayers continued to nay-say and the premiere date approached rapidly. February 13th (yes, Friday the 13th, ominous) arrived and "Ghost" premiered. I'll have to say, it was better than a great deal of other television shows on the air at the time and DID contain a fair amount of Whedonism to it, but it also had the stink of network intervention all over it. The first five episodes really only held a handful of series mythology about them though they did assist in laying the groundwork for the final seven episodes where it became blatantly obvious that Whedon regained full control of his pet-project.

The premise for Dollhouse is not simple and is honestly a little off-putting at first glance. The Dollhouse is an underground organization that commissions "volunteers" to have their memories completely erased so that they can be uploaded with a new set of memories and skill-sets to carry out "engagements" with high paying clients. Between "engagements" the "Actives," as they're referred to, exist in the Dollhouse's facility as blank slates. They have no emotion and no personality whatsoever. Eliza Dushku plays Echo (all the Actives are named after the NATO military alphabet, other regularly featured actives include Sierra, Victor and November,) who starts off the series in the early stages of her 5 year contract with the Dollhouse. Within the first 5 episodes (which played like "engagement of the week" television) it becomes clear that Echo is somehow maintaining small bits of each downloaded personality. Along with Echo's glitching brain is FBI agent Paul Ballard who is determined to expose the Dollhouse despite not having anyone even believe it exists, let alone help him bring it down. There's also the resident Dollhouse Boogeyman, otherwise known as the rogue Active named Alpha, who murdered several Actives and Staffers before he was supposedly "killed." Though he manages to shake things up early in the season from behind the scenes before making his grand re-entrance at season's end.

The season seemed to make a full U-turn at episode six, "Man on the Street," which was written by Joss Whedon himself. It shook up the previous format of "engagement of the week" and focused more on Ballard's solo-investigation of the Dollhouse and explored the morally gray organization that IS The Dollhouse. Who pays for this service and ultimately WHY they pay for it. It was also revealed this episode (after a killer fight between an imprinted Echo and Paul Ballard) that there was a mole in the Dollhouse willing to help Paul, as long as he doesn't get himself killed sticking his nose too far where it doesn't belong.

From this episode forward, we were delivered heavy doses of mythology, character development and ultimately, Alpha's return (played by Whedon's Firefly alum, Alan Tudyk.) The theme for the season (and possibly the series, should it get renewed or not... fingers crossed) is, are the memories that make us up all that we are? Are our minds and bodies one or separate? Should one lose the other are we not still the same person, or just the empty shell of that person? In short, the existence of the soul, or the ultimate act of self-realization. Based on the chilling final moments of the 12th episode (entitled "Omega,") the human spirit will overcome the obstacles that are placed in front of it, despite that which makes up the person being forcefully taken away.

Unfortunately from the outset, Dollhouse found itself in a ratings spiral. It's live audience dwindled as the weeks progressed (though the Nielsen rating system is so outdated, it pains me to think that it's still being used successfully) though it's DVR/TiVo bump and hits on Hulu have been substantial enough to point out a niche audience that's developed. The initial lead in my dying-on-its-feet series Terminator: The Sarah Connor Chronicles didn't seem to do Dollhouse any favors and after that ended as abruptly as it began, the death-rattle episodes of canceled series Prison Break seemed to eradicate any carry-over viewers that might've been. FOX announces their 2009-2010 schedule on May 18th and the odds are stacked against Joss Whedon and company. Through a small miracle, there may yet be another season of Dollhouse (the first season is available for pre-order on Amazon.com, releasing on July 28th) and the crew is remaining hopeful.

UPDATE 5-16-09: While FOX will unveil this on 5-18, Dollhouse has been picked up for 13 more episodes in the fall. Welcome, Season 2!

Fringe - Season 1 Holiday Break Assessment

It's not surprising that the new J.J. Abrams series Fringe is doing as well as it is. With hits like Alias (first two seasons anyways) and LOST under his belt, this new age horror/sci-fi/mystery hybrid with the dynamic sensibilities of the X-Files of yesteryear has become the mainstay in my Fall season primetime TV watching routine; and not a moment too soon with the slipping integrity of former prodigal series Heroes.

While the similarities to X-Files are present (and sometimes just plain rampant) within each episode, Fringe manages to serve as more of an homage than a rip-off or clone. Replacing the aliens and unexplainable monsters is the seemingly untapped realm of "fringe science" (keep a record, how many times will I say Fringe in this whole thing? Four so far) or more appropriately "theoretical science," yet unproven phenomena such as ESP, cloning, teleportation, etc. There's the FBI, the interdepartmental division involved with the "out there" cases, and a company called Massive Dynamic which may or may not be involved in (wait for it...) a series of bizarre occurances being refered to as "the Pattern." In comparison to the inner workings of the island on LOST this sounds pretty simplistic, but with each new episode the mysteries seem to connect in the least likely of places creating a dark, mysterious and ominous atmosphere that's been missing from serialized drama over the last six or seven years.

Olivia Dunham, FBI (Aussie blonde newcomer Anna Torv) is called in on a case where a terrorist attack has just taken place on an incoming flight to Boston (no, not Oceanic flight 815, Glatterflug flight 627 to be exact but just for fun, Glatterflug is German for "Smooth Flight.") As it appears, all the passengers, including the terrorist, have seemingly melted. The big boss Agent Broyles (Lance Reddick, aka LOST's mystery man, Matthew Abadon) warns that this is part of something bigger and of course she doesn't believe him (but we all know that it's true.) However, in the midst of the case, Agent Dunham's boytoy/work partner, Agent John Scott is pretty much blown up and infected with the contagion from the Hamburg flight. This leads Dunham to her series cohorts Dr. Walter Bishop (John Noble, Return of the King's evil madman Denethor) and his wanderlusting, arms dealing, swindler of an estranged son, Peter (Joshua Jackson, in a significant departure from Dawson's Creek's resident whatever-guy, Pacey.) Walter, having experienced a psychotic break in an undisclosed, work related accident alongside Massive Dynamic's founder Dr. William Bell, has spent the past 17 years in a mental institution. Dunham tracks down Peter and with his reluctant help, Walter is released to find a cure for Agent Scott's condition as he may have been familiar with the contagion. And this is just the first 20 minutes of a two hour pilot episode.

This week's episode, entitled "Safe" marks the last episode before the holiday break (not returning until late January, as most shows do in the winter months) leaving us with a pretty hefty cliffhanger. While some smaller questions were answered, like most of Abram's series, these just led to even larger, more prominent questions. Questions I don't think I can wait to be answered (but wait, I will.) I am also predicting some substantially cliffhanging season finales in the coming years.

Thanks to the nice timeslot, following House M.D, enough viewership warranted a full season order from cancellation mongers FOX and it continues to receive positive reviews from those who choose to write-up every week (ahem, Jeff Jensen... where's my Fringe TV Watch on EW already?) While it's proven to be a much more new-viewer friendly series for the most part, keeping the mythology heavy episodes fewer and farther between, I wouldn't be surprised if
the over-arcing storyline takes the lead should the show manage to stay on the air for more than two or three seasons.

Until its return I will likely be rewatching all 10 episodes, not to catch up per se, simply because the show is so damned fun to experience. If you haven't seen it yet, do yourself a favor.